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The Antiphonary tonary missal of St. Benigne (also called Antiphonarium Codex Montpellier or Tonary of Saint-Bénigne of Dijon) was supposed to be written in the last years of the 10th century, when the Abbot William of Volpiano at St. Benignus of Dijon reformed the liturgy of several monasteries in Burgundy. The chant manuscript records mainly Western plainchant of the Roman-Frankish proper mass and part of the chant sung during the matins ("Gregorian chant"), but unlike the common form of the Gradual and of the Antiphonary, William organized his manuscript according to the chant genre (antiphons with psalmody, alleluia verses, graduals, offertories, and proses for the missal part), and these sections were subdivided into eight parts according to the octoechos. This disposition followed the order of a tonary, but William of Volpiano wrote not only the incipits of the classified chant, he wrote the complete chant text with the music in central French neumes which were still written in ''campo aperto'', and added a second alphabetic notation of his own invention for the melodic structure of the codified chant. == Historical background == This particular type of a fully notated tonary only appeared in Burgundy and Normandy. It can be regarded as a characteristic document of a certain school founded by William of Volpiano, who was reforming abbot at St. Benignus of Dijon since 989. In 1001 he followed a request by Duke Richard II and became first abbot at the Abbey of Fécamp which was a reforming centre of monasticism in Normandy. Only this manuscript was written during the time of William by the same hand as several other manuscripts of the Library of the Medical Faculty of Montpellier (today "Bibliothèque interuniversitaire de Médecin") which all belong to St. Bénigne. It is not known, whether it was really written by William of Volpiano in person. The few things known about him can be read in a hagiographic source, the ''Vita domni Willelmi'' in fourteen chapters written by his disciple, the Burgundian monk Raoul Glaber in 1031, and revised probably by demand of the later Abbot John of Fécamp during the late 11th century.〔See the edition of Véronique Gazeau and Monique Goullet (2008).〕 William was born as son of the Alemannic Duke Robert of Volpiano at the citadel of his family on the island S. Giulio of the Lake Orta in Piedmont. The legend said that Emperor Otto had conquered this island, while William was born, so the Emperor became his patron and he was educated as a monk and made his clerical career at Cluny Abbey during the reform of Abbot Majolus who continued the reform of his predecessor Odo and supported reforms connected with papal politics under influence of the Ottonic Emperors. Concerning liturgical reforms, Emperor Otto I already emphasized the need for a reform of monasticism in Southern Italy and to abandon local liturgies in favour of the Roman rite, a kind of second Carolingian reform, and he already wished to "liberate" Arab Sicily and to organize church provinces of the island which was mainly populated by Muslims and by a Greek Christians. His plan failed after the catastrophic defeat of his son Otto II near Reggio, but the role of Cluny as a centre for liturgical reforms had increased in Ottonic times. William's reforms were not only concerned with liturgy and the new design of local chant books, but also with the construction of new churches and buildings for abandoned abbeys, with canon law, with the organization of grammar schools and even rural communities of Normandy. It was typical for a career at Cluny Abbey to get one of the most prestigious positions as a cantor and to continue as a reforming abbot in another Abbey, which was subjected to this powerful and ambitious Abbey. As Abbot of St. Benignus William reformed several monasteries of Burgundy, Lorraine and the Île-de-France. There are some testimonies like the ''Libellus de revelatione, edificatione et auctoritate Fiscannensis monasterii'', a chronicle of Fécamp, which reports certain ressentments against Norman culture and its local liturgical customs.〔Gazeau (2002, 44).〕 William appeared as a Cluniac reformer, but studies of his liturgical reform especially of the Office chant for Fécamp did not confirm, that he just removed local in favour of Cluniac customs.〔See the dissertation of Olivier Diard (2000) which proves that he "corrected" chants as Raoul Glaber called it, and he also added own compositions which can only found in the two manuscripts, and he respected certain customs of the local school.〕 Within the reform and the history of Norman monasticism, the reform of William of Volpiano was neither the beginning nor its climax, as a reformer he had to find a balance between local needs and problems and certain interests of the Cluniac Abbot, of the Pope, and of the Norman patrons, whose founding activities cultivated a new form of policy. William contributed to this history with the foundation of an own school. According to Véronique Gazeau he did not spend too much time in Normandy during the period about 30 years of his Norman activities, but nevertheless his school could be established, because he ordained his students as abbots.〔Gazeau (2002, 39f).〕 He was not only Abbot at Fécamp, but also at Jumièges between 1015 and 1017. He became first Abbot of Bernay, a foundation of Countess Judith, Richard II's wife, in 1025. By order of Duke Robert he left Fécamp for John of Ravenna in 1028, before 1027 he was assisted at the Abbey at Bernay by a ''custos'' Thierry, an elder and experienced monk and prior from Saint-Bénigne of Dijon. Before he followed Suppo as prior at Mont-Saint-Michel in 1023. These administrative changes were caused by the establishment of monastic centres during certain periods, in which some Abbeys were no longer guided by an abbot, but by a prior of the community who was often called "custos", and several new foundations did not always start as an Abbey, they were subordinated to older abbeys. These monastic centres which had the control over various monasteries including former abbeys, were used to control new foundations as well as to obey liturgical and administrative reforms. This practice was continued after William's death, Fécamp and Saint-Bénigne were controlled by one abbot between 1052 and 1054: Abbot John of Ravenna. When the new founded monasteries became abbeys, the abbots were usually chosen among the monks of Fécamp. Only few writings by William have survived in the Abbey of Fécamp, but it is not always easy to decide, if the collection of Montpellier which belonged obviously to the library of the Abbey St. Benignus of Dijon, had this Abbey as destination. Michel Huglo remarked that the last part of the manuscript H.159, the real Antiphonary with antiphons and responsories for the Matins, was continued by the 13th-century copy of the Antiphonary of the Abbey of Fécamp (Rouen, Bibliothèque municipale, Ms. 254, olim A.190). So the destination of the Tonary of Saint-Bénigne is still a matter of discussion. On the other hand, customs of St. Bénigne like the liturgy for the patron can also be found in other Abbeys as Fécamp and Bernay, and the tonaries of Dijon (Montpellier, Ms. H159), of Fécamp (Rouen, Ms. 244, olim A.261), and of Jumièges (Rouen, Ms. 248, olim A.339) are so consistent that they can be regarded as documents of one school which can be ascribed to William of Volpiano. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Antiphonary of St. Benigne」の詳細全文を読む スポンサード リンク
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